Interior designers

Composed to order, proofed before production.

Artwork you can specify, not just source

Sourcing art for a scheme usually means searching until something nearly fits. This works the other way round: the composition is built to the palette and proportion you need, and the same source layout can be remapped across formats without redrawing it. You see the production file before committing a client to it.

What this actually gives you

Built to the scheme, not adapted to it

Letterforms, arrangement, rotation and colour are all set in the studio. If a piece needs to sit against a specific wall or answer a specific palette, it is composed that way rather than chosen as the closest available match.

One layout, several formats

Compositions are stored as normalised geometry, so moving a design between a framed print and another product remaps it to that product's print area instead of stretching a flat file. Series across a project stay consistent.

Client-ready proofs

Each proof produces real product mockups plus the exact print file. That is enough to present a piece for approval before it is ordered, rather than describing what it will probably look like.

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Finished pieces you can order

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